Biography
Biography
Soprano Lindsey Lang is noted for her bold interpretations of early music with a “tone [of] pure, radiant sunshine.” She has appeared as a soloist with modern and period orchestras nation-wide and has sun in main-stage events for early music festivals in Berkeley, Bloomington, New Brunswick, New York, and Quito, Ecuador. She has appeared as a soloist is such great works as Bach’s B Minor Mass and Magnificat, Britten’s A Boy Was Born, Handel’s Messiah, Haydn’s Lord Nelson Mass and Schopfunsgmesse, and the Monteverdi Vespers of 1610. Recently she sang the soprano solos in Haydn’s Lord Nelson Mass under the baton of Joseph Flummerfelt, and premiered Stefan Freund’s oratorio The War Amongst Families and Neighbors: The Civil War in Missouri.
Lindsey is also an avid choral singer, and currently sings with the Kansas City Chorale under the direction of Charles Bruffy, and is a featured soloist on their Grammy-winning CD “Life and Breath.” In addition to her work with the Chorale, Lindsey frequently performs with Prometheus, the Simon Carrington Chamber Singers, Sacabuche, and the Spire Chamber Ensemble.
Lindsey graduated with a Master’s Degree in Choral Conducting from the University of Missouri in 2008 and then studied for two years at the Early Music Institute at Indiana University. She currently resides in Kansas City where she is the Music Director at Asbury United Methodist Church and maintains an active performing and teaching career.
“Ms Lang’s bright soprano negotiated through Bach’s serpentine lines without obvious timbre shifts, and unbelievably, without unplanned breaths.”
--Floyd Gingrich, Kansas City Examiner, May 6, 2014
“Lindsey Lang’s gorgeous soprano solo...was gripping. She clipped her consonants and flipped her “Rs” like a native Icelander on top of a tone that was pure, radiant sunshine.”
--Lee Hartman, KCMetropolis.org, October 8, 2012
“Soprano Lindsey Lang...employed the perfect style with [her] pure, uncomplicated voice in several consort and lute songs. Her singing helped to accentuate the Elizabethan poetry and rhetoric.”
--Tom Marks, KCMetropolis.org, July 24, 2012
Acclaim